After many successful Chesapeake events, Writing Day Workshops is excited to announce The 2026 Online Chesapeake Writing Workshop — a two-day online “How to Get Published” writing event August 14-15, 2026. (Writers are welcome to attend virtually from everywhere and anywhere.)
This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2026 Online Chesapeake Writing Workshop!
(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 CWW is an Online Conference, August 14-15, 2026. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
To register, click the button above, or email Brian at WDWconference@gmail.com and tell him you’re interested in the Chesapeake event.
WHAT IS IT?
This is a special two-day “How to Get Published” online writing workshop, August 14-15, 2026. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Chesapeake” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.
This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2026 CWW agent & editor faculty so far includes:
- literary agent Sarah N. Fisk (Tobias Literary)
- literary agent Paul S. Levine (Paul S. Levine Literary)
- literary agent Ritu Anand (D4E0 Literary)
- literary agent Victoria Harris (The Caldwell Agency)
- literary agent Katie Monson (SBR Media)
- literary agent Frannie Dove (The Caldwell Agency)
- literary agent Annie Bomke (Annie Bomke Literary)
- literary agent Marisa Zeppieri-Caruana (Strachan Literary)
- literary agent Jessica Larios-Zarate (Wave Literary)
- literary agent Elisa Moles (Painted Fire Literary)
- literary agent Arizona Bell (Rosecliff Literary)
- literary agent Kara Grajkowski (3 Seas Literary Agency)
- literary agent Eric Smith (Neighborhood Literary)
- literary agent Najla Mamou (Savvy Literary Services)
- literary agent Michelle Z. Jackson (The Jackson Literary Agency)
- literary agent Kaylyn Aldridge (Metamorphosis Literary)
- literary agent Syrone Harvey (Belcastro Agency)
- literary agent Carrie Howland Yellin (Howland Literary)
- literary agent Madelyn Chimento (Betancourt Literary)
- literary agent Emma Fulenwider (Wordserve Literary)
- literary agent Julia Kim (The Rights Factory)
- literary agent Gina Panettieri (Talcott Notch)
- literary agent Tara Kimberly (D4E0 Literary)
- literary agent Shelly Romero (Azantian Literary Agency)
- Editor Leticia Gomez (Kensington Books and Dafina)
- literary agent Jennifer Irons (META Talent Agency)
- literary agent Shania Soler (Metamorphosis Literary)
- literary agent Nicole Payne (Confluence Literary)
- literary agent Hailey Stephens (Rosecliff Literary)
- literary agent Bethany Jett (MacGregor & Luedeke)
- literary agent Kim Carson Bodie (Susan Schulman Literary)
- literary agent Elizabeth Guthrie (P.S. Literary)
- literary agent Mindi St. Peter (BAMbooks)
- and possibly more agents to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Brian Klems and Chuck Sambuchino of Writing Day Workshops.
To register, click the button above, or email Brian at WDWconference@gmail.com and tell him you’re interested in the Chesapeake event.
EVENT LOCATION & DETAILS:
(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 CWW is an Online Conference, August 14-15, 2026. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
THIS YEAR’S SESSIONS & WORKSHOPS (AUG. 14-15, 2026):
What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
FRIDAY, AUGUST 14, 2026
9:30 – 10:30: TBD
10:45 – 11:45: TBD
11:45 – 1:15: Break
1:15 – 2:30: TBD
2:45 – 3:45: TBD
4:00 – 5:00: TBD
SATURDAY, AUGUST 15, 2026
9:30 – 10:30: TBD
10:45 – 11:45: TBD
11:45 – 1:15: Break
1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.
2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.
4:00 – 5:00: TBD
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
Agent & Editor Pitching: All throughout the day.
PITCH AN AGENT OR EDITOR:
Sarah N. Fisk is a literary agent with The Tobias Literary Agency, and is open to pitches for young adult of all genres, middle grade of all genres, adult romance, science fiction, fantasy, speculative fiction, and select nonfiction. They also take pitches for mysteries and thrillers via conferences only. Sarah especially loves fiction that is compulsively readable and social justice issues woven into commercial plots. Particular areas of interest include atmospheric fantasies, speculative mysteries, books that challenge societal norms, especially gender norms. Learn more about Sarah here.
Paul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. With almost 40 years of experience in the entertainment and book industries, Levine is one of the few lawyers on the West coast who also understands the world of book publishing; as such, he is able to act as both literary agent and publishing attorney for his clients. Learn more about Paul here.
Ritu Anand is a literary agent with D4E0 Literary. In Kidlit, she seeks: Picture books, Middle Grade and Young Adult Novels. In Literary Fiction, she seeks: Drama, Fairy Tales and Fiction in Verse. In General Fiction, she seeks: Women’s Fiction, Drama, Humor, Realistic Fiction, Satire and Tragedy. In Historical Fiction, she seeks: Women’s Historical Fiction, Historical Romantic Fiction and Historical Fantasy. Diverse and underrepresented Voices are encouraged to submit. Learn more about Ritu here.
Victoria Harris (they/them/theirs) is a literary agent with The Caldwell Agency. “I’m primarily seeking adult literary and upmarket fiction, particularly stories that feature LGBTQ+ and BIPOC characters. I’m also open to literary-leaning queer romance, soft sci-fi, and historical fiction set in the recent past. When it comes to nonfiction, I’m interested in memoirs.” She is drawn to: LGBTQ+ characters, BIPOC characters, mentally ill characters, neurodivergent characters, chronically ill and physically disabled characters, characters who’ve had difficult childhoods, characters who are repressed, characters who’ve felt like an outsider for their whole life, chosen family, friends to lovers, pining, late-stage coming of age stories, and dysfunctional family dynamics. Learn more about Victoria here.
Katie Monson is a literary agent with SBR Media. In YA/adult fiction, she is seeking hilarious rom-coms with a 90’s feel; epic love stories (I want to swoon along with the FMC); women’s fiction with a romantic subplot that does not end happily; jaw-dropping psychological thrillers; and book club fiction. In middle grade and young adult fiction, she is seeking coming of age, new experiences, and humor. She is generally looking for great hooks, jaw dropping plot twists, slow burn romance, laugh out loud funny, banter between characters is always a plus! She is not a good fit for anything in the fantasy, sci-fi, historical fiction, or nonfiction genres. She is also not looking for picture books at the moment. Learn more about Katie here.
Frannie Dove is a literary agent at The Caldwell Agency. “I love books that change and challenge the way we interact with the world, especially stories that explore the margins of the history books. I’m eager to champion stories that stir book club conversation, inspire readers to engage with their local communities, and bring people together around the dinner table. Genres I seek: historical fiction, narrative history, historical fantasy, comedic mystery, book club fiction, genre bended and blended fiction (especially with some history), science for the non-scientist, essays with wisdom to share, and memoir with a strong narrative arc.” Learn more about Frannie here.
Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.
Marisa Zeppieri-Caruana is a literary agent with Strachan Literary Agency. In fiction, she seeks: debut fiction, romance, upmarket & commercial women’s fiction, upmarket mainstream fiction, apocalyptic, thrillers, fantasy, and upper young adult. In nonfiction, she seeks: memoir, narrative nonfiction, investigative journalism, platform-driven nonfiction, diet and health, Christian spirituality, inspirational, food and cookbooks, self-help and humor. She is particularly interested in finding nonfiction authors to build her client list and is only taking on a limited amount of fiction. Marisa is currently seeking to champion new talent who create memorable characters with unforgettable words, and she has a soft spot for writers in marginalized communities and persons with disabilities. Learn more about Marisa here.
Jessica Larios-Zarate is a literary agent with Wave Literary. In regards to fiction, Jessica gravitates towards: commercial fiction, contemporary upmarket fiction, literary fiction, mystery/thrillers, and speculative fiction. She is particularly invested in stories that feature LGBTQIA+, BIPOC, neurodivergent, and/or disabled protagonists, especially when the books are not issue-driven. As for nonfiction, Jessica is interested in: narrative nonfiction and historical nonfiction. In terms of historical nonfiction, she seeks: Ancient History, Historical Expeditions, Civil Rights Movements, and Indigenous History Books; no War History, please. Learn more about Jessica here.
Elisa Moles is a literary agent with Painted Fire Literary Agency. She is seeking: Especially interested in upmarket fiction. “In one word, what defines fantastic fiction narrative? Consequences. Consequences give structure. And stories with cohesive and creative structures, true to each writer’s background and voice, stand the test of time beyond the trendy topics and gimmicks of the day. I especially love psychologically complex characters. I’m looking for distinctive and compassionate voices who are telling organically unexpected stories in a wide variety of styles and genres. Surprise me.” Things you should NOT pitch her include: nonfiction, poetry, children’s books, middle grade, young adult, graphic novels, screenplays, westerns, horror, nihilist, or erotic work. Learn more about Elisa here.
Arizona Bell is a literary agent with Rosecliff Literary. She’s seeking daring nonfiction that pushes boundaries and changes conversations. Arizona’s list centers on voice-driven narrative and creative nonfiction, big-idea books, high-stakes journalism with receipts, fresh slants on culture and creativity, and meaningful explorations of spirituality, religion, or philosophy. And yes—she’s also a sucker for anything astrology! At the core, she’s hunting for writing that tackles resilience, belief, and the human spirit under pressure, and does so with literary pizazz. Whether it’s a survival memoir that doubles as cultural critique, a narrative that blows open an underground world hiding in plain sight, or a political exposé that keeps you turning pages like a thriller—she wants true stories that refuse to look away. Learn more about Arizona here.
Kara Grajkowski is a literary agent with 3 Seas Literary Agency. “As an elementary classroom teacher turned elementary behavioral interventionist, I am always looking to expand my classroom library with high-interest, low-readability books. If I can see my students and their interests in the project, it is a good fit for my classroom and a better fit for my query box. Please send me #OwnVoices stories!” She seeks all types of middle grade and young adult books (with the exception of fantasy and time travel). She represents picture books, especially funny titles or those that highlight the beauty in diversity, community, and childhood. “I (very selectively) take new adult rom coms. Fresh takes on traditional narratives are a plus for me, but I really look for sharp, witty storytelling. In nonfiction, I would love any nonfiction about education/issues in schools or mental health/trauma. No memoirs, please!” Learn more about Kara here.
Eric Smith is a literary agent at Neighborhood Literary, with a love for young adult books, literary fiction, science fiction, fantasy, and nonfiction. Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in young adult (particularly sci-fi and fantasy), middle grade, and literary and commercial fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of nonfiction, he’s interested in cookbooks, pop culture, humor, middle grade, essay collections, and blog-to-book ideas. Learn more about Eric here.
Najla Mamou is a literary agent with Savvy Literary Services. In nonfiction, Najla gravitates towards narrative nonfiction, true crime, memoir, biography, identity, business/economics, leadership, and stories inspired by lesser known people, professions and crafts (builders, designers, architects), musicians/artists/creators, daredevils, athletes, etc. In fiction, she seeks adult and new adult. She is prioritizing realistic sci fi thriller, military sci fi, unique sleuth mystery, intergenerational stories, strong female leads, migration/immigration, underrepresented protagonists (especially from marginalized communities), stories set in distant futures wanting to return to Earth and experiencing humanity, alternating timelines, backwards timelines, or dual timeline that interweaves a present-day investigation with a historical crime. In both fiction and nonfiction, she seeks underrepresented stories and writers across all genres. She is not requesting young adult, middle grade or children’s. Learn more about Najla here.
Michelle Z. Jackson is a literary agent with The Jackson Literary Agency. Michelle is on the hunt for writers with a strong voice and masterful descriptive writing, stories with memorable characters, a great premise, a twist on an old tale and original concepts. In adult fiction, she seeks: Commercial, Historical, Humor, New Adult, Romance, Thriller, Women’s Fiction, Literary (subgenres: Contemporary Romance, Inspirational, Multicultural, Psychological Thrillers, Romantic Comedy) In young adult fiction, she seeks: Contemporary, Historical, Christian, Romance. Learn more about Michelle here.
Kaylyn Aldridge is a literary agent at Metamorphosis Literary. She seeks young adult, new adult, and adult fiction across the following categories: romance (all heat levels welcome); coming-of-age stories; LGBTQ+ fiction; and commercial fiction. She especially enjoys: Black stories and LGBTQ+ stories not centered around trauma; dark, weird, and offbeat stories (think Jennifer’s Body, Ginger Snaps, Fresh, or Teeth); unique takes on classic stories; paranormal romances (vampires, werewolves, ghosts, etc.). Learn more about Kaylyn here.
Syrone Harvey is a literary agent at Belcastro Agency and also a children’s book author. In Adult, YA and Middle Grade Fiction, she is eagerly seeking diverse, underrepresented voices and perspectives, stories with strong, distinct and multi-dimensional characters, compelling stories of friendships, coming-of-age, emotional angst, family saga. Throw in a little fun, adventure, humor, edginess and stories that are overall engaging. In Children’s she is seeking books filled with humor, whimsy, are heartfelt, offer make-me-giggle storytelling, and absolutely crazy fun. Areas of interest- BIPOC Literature, Book Club, Children’s, Commercial, Contemporary, Family Saga, General, Humor, Literary, Middle Grade, New Adult, Picture Books, Inspiration, Romance, Romcom, Women’s Fiction, and Young Adult. Learn more about Syrone here.
Carrie Howland Yellin is a literary agent and founder of Howland Literary, LLC. She is a twenty-year veteran in the publishing industry. She worked for fourteen years as a literary agent at two New York City based agencies before founding her eponymous agency, Howland Literary, LLC in 2018. Carrie now calls Southwest Michigan home! Carrie holds a B.A. in English and Creative Writing from Albion College, where she was the Poetry Editor of The Albion Review. Her poetry has appeared in various literary journals and magazines. Carrie’s passions include music, pop culture, parenting, counseling and psychology, and the Midwest. She has been featured in several publications discussing her work as an agent including Poets & Writers, SCBWI insight, Akashic Books, and Slice Magazine. In addition to her work as an agent, Carrie is a longtime animal rescue volunteer, having fostered and found permanent homes for over one hundred fifty dogs to date. She is also a member of the Junior League and an alumna of Delta Gamma Sorority. When not spending time with her husband and son, Carrie teaches group fitness classes at Pure Barre. Carrie is accepting submissions for: adult literary and upmarket fiction, contemporary romance, short story collections, prescriptive nonfiction, narrative nonfiction, and essay collections. Learn more about Carrie here.
Madelyn Chimento is a literary agent with Betancourt Literary. Madelyn holds a Bachelor of Science in English and Creative Writing and has a keen interest in literary and upmarket fiction. She is particularly drawn to coming-of-age narratives, complex female relationships, and psychologically driven stories. She brings an editorial mindset shaped by rigorous writing and editing coursework and is especially interested in stories with sharp prose and distinctive voices. About the agency: “At Betancourt Literary, we believe powerful storytelling deserves powerful support. Our agency is dedicated to representing bold voices and unforgettable narratives.” Learn more about Madelyn here.
Emma Fulenwider is a literary agent with Wordserve Literary. She’s looking for adult nonfiction books that are nerdy, helpful, and true. Emma likes working with thought leaders called to contribute their respectful insights into the problems we’re facing, and the ones we’re avoiding. Emma is a book junkie. She believes that writing is a form of self-care, publishing is about serving others, and yes you have to have a platform. Learn more about Emma here.
Julia Kim is a literary agent with The Rights Factory. Julia is looking for literary fiction, upmarket fiction, and select genre fiction (crime, mystery, speculative, horror, historical). She is also open to other genres and categories (romance, thriller, science fiction, fantasy, YA) by authors from BIPOC and historically underrepresented groups. She is seeking a wide range of nonfiction topics including history, politics, current affairs, women’s issues, self-help, travel, true crime, psychology, biography and memoir, health and fitness, food and lifestyle, architecture and design, art and culture, film and TV, pop culture. Learn more about Julia here.
Gina Panettieri is a literary agent with Talcott Notch. “I have such trouble limiting myself to just a few genres. I find it all fascinating! History, business, self-help, science, gardening, cookbooks, crafts, parenting, memoir, true crime and travel. Teach me something new, something I couldn’t find somewhere else, something based on original research and that’s the hook I’m looking for. With fiction, I love quirky, edgy characters. Send me women’s fiction, paranormal, urban fantasy, horror, science fiction, historical, mystery, thrillers and suspense. Learn more about Gina here.
Tara Kimberly is a literary with D4E0 Literary. She seeks: Romantasy, Fantasy, Sci-Fi, New Adult, Young Adult, Romance & Dark Romance. Tara is interested in primarily Romantasy (adult and young adult and new adult) with a focus on strong female characters and all consuming stories. She is a self diagnosed Romantasy addict and loves diving into lush worlds with complex characters and messy interpersonal relationships that teach us about our own lives. Learn more about Tara here.
Shelly Romero is a literary agent with Azantian Literary Agency. She is seeking: science fiction; speculative fiction; horror (almost all subgenres & especially for all age categories); Honduran authors; stories by Latine/x authors from Central America and the Caribbean (including Afro-Latine & Indigenous Latine stories); playing with formatting such as mixed-media & epistolary novels that give the story a “found footage” type of vibe; anything comped to Guillermo del Toro, David Cronenberg, Clive Barker, John Carpenter, or Wes Craven; Catholic horror; gothic romance; grounded fantasy; midwestern gothic; southern gothic; vampires; Jewish stories especially if they are intersectional with BIPOC and/or queer characters; thrillers/mysteries (with non-cop protagonists); commercial fiction; slice-of-life a la One Tree Hill, OG Gossip Girl, The Sandlot, Real Women Have Curves, What We Do in the Shadows; historical fiction set during: Regency, Edwardian, & Victorian eras; post-WWII; 80s – 00s…but featuring BIPOC and/or queer characters; adult erotic fiction, especially featuring BIPOC and/or LGBTQIA characters in kink spaces; set during college and non-college bound post-high school. Learn more about Shelly here.
Leticia Gomez is the editorial director for Kensington Books and Dafina. Leticia is the Editorial Director for Dafina Books, an imprint of Kensington Publishing Corp., which focuses on high-quality fiction and nonfiction that centers on race, identity, and its impact on our experiences. Launched in 2000 as the first African-American imprint, Dafina has led the market for more than twenty years in highlighting voices of color. Leticia is actively seeking to acquire multicultural fiction and nonfiction of all genres, including literary fiction, commercial fiction, historical fiction, romance, mystery, and narrative nonfiction of all genres with a focus on authors of color (BIPOC) hailing from all walks of life, as well as specific nonfiction projects for marginalized communities. As a literary agent, Savvy Literary is now an industry leader specializing in Self-help, Narrative Non-fiction, Memoir, True Crime, Spiritual/Inspirational, Political/Current Affairs, Suspense/Thriller, Family Drama, and the Young Adult market. Championing the work of minority writers continues to be a top priority for the agency. Blending her experience as an author, literary/film/television agent and acquisition editor, she is truly excited to spearhead her very own Hispanic book imprint Café con Leche Books. Learn more about Leticia here.
Jennifer Irons is the Founder of META Talent Agency. META’s mission is to help remedy inequitable access to agent representation for Black, Indigenous, and People of Colour (BIPOC). Jennifer’s agency is specifically seeking to help writers adapt short stories for film and TV. She is also open to having 10-minute consultations with all attendees and writers to answers questions about the process of how print (stories, books) gets adapted to the screen (TV/film). She is also happy to just have Q&A sessions with any attendees. Learn more about Jennifer here.
Shania Soler is a literary agent with Metamorphosis Literary. She is seeking: novels in the fantasy genre or romance WITH SPICE; for fantasy, I’m interested in more than just the romance that two characters have (intricate political and/or magic systems and complex character backstories); for contemporary romance, I’m looking for things that take me off the beaten path (think Butcher & Blackbird or Haunting Adeline); horror (young adult, new adult, & adult); mythology (young adult, new adult, & adult); magical realism (young adult, new adult, & adult); and historical fiction. Learn more about Shania here.
Nicole Payne is a literary agent with Confluence Literary. “In general, I represent young adult and adult fiction novels, preferably in romance, women’s fiction, literary fiction, mystery, suspense, thriller, and speculative fiction. They hold a special place in my heart. As I slowly delve into nonfiction, I would love to see more science-based books, especially biology and forensic, as well as medicine, travel, and cookbooks in my queue. I’m also actively seeking diverse voices and stories across the board. Give me all the books!” Learn more about Nicole here.
Hailey Stephens is a literary agent with Rosecliff Literary. In general, Hailey is only looking for Adult novels, but she will selectively take on Middle Grade books if the manuscript will inspire a passion for reading. She would also love to champion authors from rural areas, especially authors from BIPOC, LGBTQ+, neurodivergent, and/or any other community that tends to be overlooked in rural areas. (This doesn’t mean the manuscript itself has to be based in a rural setting, although she always appreciates a good rural horror.) For Literary, Upmarket, and Contemporary fiction, Hailey wants vivid stories that pull the reader in right away, immersing them in the work the author has created. For thriller and horror, she wants stories that linger in the corners of the mind, with characters that feel like they’re in the room with the reader (for better or worse). Hailey will also selectively take on Adult Romance, and is hopeful there are still love story tropes out there that can be discovered or re-explored in a way that redefines the genre. In nonfiction, she is looking for both trade and literary proposals. She is especially interested in memoirs that play with the concept of time and structure. Learn more about Hailey here.
Bethany Jett is a literary agent with MacGregor & Luedeke. She seeks a variety of adult fiction, adult nonfiction, Christian works, and children’s picture books. In adult fiction, she seeks: psychological thriller, domestic thriller, suspense, cozy mysteries, historical, book club / upmarket, women’s fiction, romantic comedy, historical romance, romantic suspense, Regency romance, and magical realism. In adult nonfiction, she seeks cookbooks, how-to, self-help, Christian living, lifestyle, home & garden, gift, Bible studies. In children’s picture books, she leans heavily toward 1) Highly commercial concepts with strong hook appeal, like How to Babysit a Grandpa or How to Catch a Unicorn; and 2) Classic, literary-type prose or emotionally layered storytelling like BIG or The Rough Patch. Learn more about Bethany here.
Kim Carson Bodie is a literary agent with Susan Schulman Literary Agency. Kim is interested in reading adult commercial, upmarket, and literary fiction, horror, slipstream, bookclub-with-an-edge, creative nonfiction, pop culture, essay, and select memoir—particularly projects that feature strong voice, experimental structure, bold risks, and big swings. Kim gravitates toward themes of adolescence, monstrosity, class, innocence, memory, healing, freakishness, community, otherness, identity, the body, the natural world, and the concept of home. She will read anything that takes place at a carnival. Please keep in mind: She does not represent YA, MG, or children’s books. (She is open to new adult, though.) “I’m probably not the best fit for high fantasy or other speculative projects without grounded elements, in addition to pure romance or thrillers, with the exception of projects that use suspense as a tool to examine suprising social, scientific, cultural, or political elements of the world at large. I welcome #OwnVoices projects and am particularly interested in representing authors from diverse backgrounds.” Learn more about Kim here.
Elizabeth Guthrie is a literary agent with P.S. Literary. She is actively acquiring. In fiction, she is interested in fantasy, historical, romance (especially fantasy, historical, or LGBTQ), speculative, and psychological thrillers. In nonfiction, she is particularly drawn to true crime, music (almost any genre, but especially blues and classic rock), and history (especially ancient civilizations or intellectual history). She also likes expert-driven wellness, popular psychology, and other science-related ideas (especially in biology or physics). Learn more about Elizabeth here.
Mindi St. Peter is a literary manager at BAMbooks. In fiction, she seeks: action/adventure, children’s, commercial, crime, domestic thriller, erotica, family saga, fantasy, general, graphic novel, historical, horror, humor, LGBTQ, literary, middle grade, mystery, new adult, picture books, psychological thriller, romance, thriller, women’s fiction, young adult. In nonfiction, she seeks: humor, LGBTQ, memoir, pop culture. Favorite sub-genres: contemporary romance, contemporary YA, literary, middle grade, magical realism, narrative nonfiction, psychological thrillers. Learn more about Mindi here.
More 2026 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
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PRICING:
$189 — EARLY BIRD base price for registration to the 2026 CWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of spring 2026, registration for 2026 is now OPEN.
To register, click the button above, or email Brian at WDWconference@gmail.com and tell him you’re interested in the Chesapeake event.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.
“I met Mai Nguyen at the Toronto Writing Workshop
and sold her manuscript to Simon & Schuster for six figures.”
– literary agent Carly Watters of P.S. Literary Agency
“I signed Sarah G. Pierce from the Seattle Writing Workshop,
and we recently sold her book to Orbit/Redhook.”
– literary agent Pam Gruber of Highline Literary Collective
“I met Amber Cowie at a Writing Day Workshops conference. We sold
her best-selling crime novel to Lake Union / Amazon.”
– literary agent Gordon Warnock of Fuse Literary
“I met my client, Dana Corbit Nussio, at the Michigan Writing Workshop.
Dana signed a new three-book contract with Harlequin Romantic Suspense.”
– literary agent Rachel Beck of Liza Dawson Associates
“I signed Nedda Lewers from a Writing Day Workshops event. Her debut
novel from Putnam Children’s was an Indie’s Introduce Best Book of 2024.”
– literary agent Kelly Dyksterhouse of Tobias Literary Agency
Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s instructors. (This rate is a special event value for Chesapeake Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 15-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:
- All types & genres of fiction for adults, young adults, and middle grade readers (virtual critiques): Faculty member Lorin Oberweger, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Horror, fantasy, sci-fi, urban fantasy (virtual critiques): Faculty member Bob McGough, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss his thoughts, and pass along written critique notes before or after the meeting.
- General fiction, contemporary, suspense, thriller, horror, romance, fantasy, young adult, cross-genre (e.g. horror romance or young adult fantasy), and memoir (virtual critiques): Faculty member Aimee Hardy, an author and editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Women’s, mainstream, science fiction, fantasy, romance, crime, thriller, mystery (virtual critiques): Faculty member Michelle McGill-Vargas, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Children’s picture books (virtual critiques): Faculty member Rosie Pova, a published author, will get your work in advance, critique your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime around the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
- More critique options possibly forthcoming.
REGISTRATION:
(ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2026 CWW is an Online Conference, August 14-15, 2026. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register:
To register, click the button above. Or reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Chesapeake workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)
Thank you for your interest in the 2026 Online Chesapeake Writing Workshop.
