The 2023 Chesapeake Writing Workshop: March 3-4, 2023

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, 2019, and 2021 events in Washington D.C., Writing Day Workshops is excited to announce The 2023 Chesapeake Writing Workshop — an online “How to Get Published” writing event on March 3-4, 2023. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2023 Chesapeake Writing Workshop!

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on March 3-4. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on March 3-4, 2023. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Chesapeake” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2023 CWW agent & editor faculty so far includes:

  • literary agent Jennifer Chen Tran (Folio Literary Management)
  • literary agent Lauren Hall (Folio Literary)
  • literary agent Keir Alekseii (Azantian Literary Agency)
  • literary agent Kiele Raymond (Thompson Literary Agency)
  • literary agent Darlene Chan (Linda Chester Literary Agency)
  • literary agent Rick Lewis (Martin Literary Management)
  • literary agent Lori Steel (Red Fox Literary)
  • literary agent Mary C. Moore (Kimberley Cameron & Associates)
  • literary scout Rae Loverde (Donald Maass Literary)
  • literary agent Maria Alcantara (Arthouse Literary)
  • literary agent Eric Smith (P.S. Literary)
  • literary agent Reeves Hamilton (Vertical Link Agency)
  • literary agent Laura Southern (Wolf Literary Services)
  • literary agent James Mustelier (The Bent Agency)
  • literary agent Ariana Philips (Jean V. Naggar Literary)
  • literary agent Michelle Jackson (Olswanger Literary)
  • literary agent Caroline Trussell (Metamorphosis Literary)
  • literary agent Sarah Fisk (Tobias Agency)
  • literary agent Laurel Symonds (The Bent Agency)
  • literary agent Jenni Ferrari-Adler (Union Literary)
  • literary agent Bethany Fulk (Holloway Literary)
  • literary agent Kaylee Zou (Williamson Literary)
  • literary agent Alec Shane (Writers House)
  • literary agent Renée C. Fountain (Gandolfo Helin & Fountain Literary)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Rachelle Gardner (Gardner Literary)
  • literary agent Paul Levine (Paul Levine Literary)
  • literary agent Eva Scalzo (Speilburg Literary)
  • literary agent Zabe Ellor (Jennifer De Chiara Literary)
  • literary agent Pam Gruber (Irene Goodman Literary)
  • literary agent Jared Johnson (Olswanger Literary)
  • and more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops. Contact him at WDWconference@gmail.com to register.

EVENT LOCATION & DETAILS:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on March 3-4. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (MARCH 3-4, 2023):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, MARCH 3, 2023

9:30 – 10:30: Standing Out in a Twitter Pitch Event. This class will provide information on Twitter pitch events (both the popular events and growing ones) and general guidelines and unwritten etiquette, give advice on how to make a great Twitter pitch as well as what to avoid doing.

10:45 – 11:45: Voice is Character. In this presentation, an agent instructor describes their take on voice through discussion of the narrator: a distinct character with its own agenda, regardless of tense, perspective or limitations. 

11:45 – 1:15: Break

1:15 – 2:30: Healthy Relationships with Writing. Writing is more than sending messages in a bottle out into the world; it’s a very internal process filled with rumination, meditation, and magic. It’s also entangled with doubt, fear, guilt, and even self-flagellation. Our relationship with writing may be messy, but we do have the power to improve it.

2:45 – 3:45: Putting Your Best Foot Forward: How To Catch an Agent’s Attention.

4:00 – 5:00: Building Your Author Brand. This class will cover how to distill the essence of who you are as a person and as a writer, then communicate that effectively to your target audience to boost your career organically.

* * * * *

SATURDAY, MARCH 4, 2023

9:30 – 10:30: Unpacking the Query Letter. Publishing is a subjective industry — and guess what? Turns out the query letter is a bit subjective too. Where should the pitch start? Do you need comparable titles listed? Should you have a bio at the end? How do you pitch yourself as a nonfiction author?

10:45 – 11:45: Authors & Agents: Inside this Important Partnership. Do all writers need agents? This workshop begins by discussing who needs an agent and why. You’ll learn how to decide whether you need an agent, how to research literary agents, and how to determine the right agent for you.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: Legal Issues Writers Should Consider. Understand the basic intellectual property laws which affect writers and creatives. We will explore copyright, trademark, legal defenses like fair use, how to obtain permissions, and also discuss the current legal landscape for writers and creatives.

 

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Lauren Hall is a literary agent with Folio Literary.  Lauren is a literary agent, executive producer, and multiple #1 New York Times bestselling writer who comes alongside incisive thinkers and writers to bring ideas to life. “I am looking for commercial nonfiction, pop culture, pop-science/psychology, cultural criticism, memoir, humor, lifestyle, cookbooks, health and wellness, essay collections, illustrated/gift books, underrepresented voices, and select literary, upmarket, and historical fiction.” Learn more about Lauren here.

Maria Alcantara is a literary agent with Arthouse Literary Agency. Maria is looking for New Adult upmarket fiction, either character-driven or plot-driven. She loves to cozy up with a good mystery full of complicated characters and page-turning plot twists. If these novels are contemporary with Millennial leads then that’s even better. Maria is also looking for women’s contemporary or commercial romance and horror with inclusive voices of Latinos and the LGBTQ community. Maria loves reading stories of marginalized voices in modern-day settings that are relatable and swoonworthy. She also loves reading whirlwind escapist stories à la Emily in Paris. Learn more about Maria here.

Alec Shane is a literary agent with Writers House. On the nonfiction side, Alec would love to see humor, biography, history (particularly military history), true crime, “guy” reads, and all things sports. In fiction, Alec is looking for mystery, thrillers (though he’s experiencing terrorist fatigue at the moment), suspense, horror, historical fiction, literary fiction, and middle grade and young adult fiction. Learn more about Alec here. Learn more about Alec here.

Kaylee Zou is a literary agent with Williamson Literary. What the agency represents: Nonfiction: history, sports, science, environmental, biographies, travel, culture, adventure, educational, motivational (i.e. work that informs or inspires social change or advocates for women and BIPOC). Give thought to your author platform and develop a strong marketing section for your book proposal. Adult Fiction:  upmarket, contemporary, literary, and commercial; character-driven women’s fiction, book club fiction, domestic suspense, adventure, international, upbeat, feel-good, dark and dangerous, fiction with fantastical elements or magical realism, poignant social commentaries, humor, satire, new takes on old tropes. Pitch us writing that sings rather than tells, take us on an emotional journey, build vivid scenes for us, craft strong voices and unusual and unforgettable settings (we love stories where place is a character too). Any subject is welcome. Learn more about Kaylee here.

Bethany Fulk is a Literary Agent at Holloway Literary. She represents young adult and middle grade books. In Middle Grade, she is seeking: fantasy (all types), paranormal, mystery, adventure stories, retellings (myth, folklore, legends, fairytales), and friendship stories. In Young Adult, she is seeking: diverse fantasy (especially drawing on underrepresented voices/myths/worlds/places/etc), historical fiction/fantasy, paranormal, spies/heists, Gothic/horror (more suspense, less gore), retellings (myth, folklore, legends, fairytales), and rom-coms. Learn more about Bethany here.

Keir Alekseii is a literary agent with Azantian Literary Agency. Keir is seeking young adult and adult science fiction & fantasy, as well as young adult contemporary. She is only open to receiving queries from writers who identify as belonging to a marginalized or underrepresented group such as (but not limited to) BIPOC, LGBTQ+, immigrants, ND, folks who speak English as a second language, and DIS people. She has a fondness for disaster bi/pan characters, being one herself, and appreciates seeing diverse representations of queerness. She’d also love to read more books with nonbinary characters and love that runs deep even without a romantic element (yes, that means aro characters and stories with friendships that don’t turn romantic are welcome). Learn more about Keir here.

Renee C. Fountain is a literary agent, publishing industry veteran, a reviewer for Kirkus and New York Journal of Books, and a book scout for The CW Network. She is the president of Gandolfo, Henlin and Fountain Literary. Renee is looking for all types of adult and YA fiction and nonfiction. She prefers: thrillers, horror/dark fantasy, urban/contemporary fantasy, humor, science fiction, pop culture, memoirs, and narrative/commercial. Learn more about Renee here.

Eric Smith is a literary agent at P.S. Literary Agency, with a love for young adult books, literary fiction, science fiction, fantasy, and nonfiction. Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in young adult (particularly sci-fi and fantasy), middle grade, and literary and commercial fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of non-fiction, he’s interested in cookbooks, pop culture, humor, middle grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

Laura Southern is a literary agent with Wolf Literary Services. In adult, she is looking for fantasy, science fiction, and horror with lush worldbuilding and voice that vibrates off the page. She’s a fan of villains, setting as character, and stories that dive headfirst into the weird or strange. Romcoms and fantasy romcoms with sharp, witty prose are also high on her list, as well as upmarket fiction with off-beat premises. As a Texan native, Laura has a soft spot for narratives set in the South, particularly when told from diverse perspectives and featuring LGBTQ+ narrators. In young adult and middle grade, Laura is interested in speculative fiction across any subgenre, as well as select contemporary fiction. Laura loves the fae, talking/magical animals, marching band, new twists on quest narratives, genre-blending, found family, mythological retellings, and dragons. Additionally, Laura is looking for memoir and narrative nonfiction. She’d especially like to work with scientists, journalists, and other experts writing on animal and nature conservation. Learn more about Laura here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Jenni Ferrari-Adler is a longtime agent at Union Literary. She is seeking: ​absorbing reads; character-driven literary / mainstream / upmarket novels with care to language. ​She adores narrative nonfiction, too, as well as story collections, cookbooks, and memoirs. Jenni is drawn to distinct voices, engaging storytelling, and insight into the human condition. She works closely with clients on each step of the publishing process, and on their career as a whole, including handling film and television, foreign, and magazine sales. Learn more about Jenni here.

Darlene Chan is a literary agent with Linda Chester Literary Agency. Darlene is interested in stories by and about BIPOC, women’s fiction, literary fiction, chick lit/rom-com, crime fiction, pop culture, narrative nonfiction, and nonfiction books on film and the entertainment industry. She’s not seeking: sci-fi, fantasy, historical fiction, family saga, children’s/YA or screenplays that have been turned into novels. Learn more about Darlene here.

Rick Lewis is a literary agent at Martin Literary Management. Rick represents authors of Graphic Novels with Illustrators (he grew up reading and loving them) as well as speculative fiction titles in the Adult and YA categories, including science fiction, fantasy, horror, and magical realism. Rick is looking for novels that feature complex, realistic characters in highly imaginative worlds. Give him genuine emotions and meaningful struggles, but also at least a touch of science, magic, or the supernatural that captures the imagination while illuminating the real world. Learn more about Rick here.

Rachelle Gardner is literary agent and owner of Gardner Literary. She works in the Christian market (CBA) as well as the general market, and is considering new clients for both. In fiction she’s looking at novels of 75,000 to 100,000 words in the following genres: contemporary women’s fiction, romance, suspense/thriller, historical, YA and YA fantasy including fairy tale retellings with a unique approach. Rachelle is looking at a wide variety of nonfiction, but please note, she can’t sell it unless you have a platform. If you have begun developing a following, bring her your nonfiction! She is especially interested in BIPOC and LGBTQ+ authors. Learn more about Rachelle here.

Kiele Raymond is a senior literary agent with Thompson Literary Agency.  She is seeking: bold new voices in literary fiction and narrative nonfiction. Her list includes critically acclaimed and award winning writers such as Lee Matalone, Tana Wojczuk, Ari Braverman, Peace Adzo Medie, Nichole Perkins, Destiny O. Birdsong, and Candice Wuehle. Learn more about Kiele Raymond here.

Jared Johnson is a literary agent with Olswanger Literary. “My fiction is also a bit all over the place. I have a strong interest in speculative fiction, especially when those stories don’t feel the need to explain the “why” of the speculative elements. I also love mystery and thriller with main characters who simply find themselves in the wrong place at the wrong time. I’m also hoping to add some thought-provoking upmarket horror to my list. I am also a huge fan of genre-bending stories that have upmarket or literary elements to the writing.” In Nonfiction he seeks: “My list is fairly broad at the moment.  I am looking for narrative-driven books. I am drawn to popular cultural topics (music, fashion, biography, science, history) with an academic approach. I especially love projects that engage with current social issues, ones that address the origins of cultural values, especially in matters of race, gender and sexuality, religion, and language” Learn more about Jared here.

Eva Scalzo is a Literary Agent with Speilburg Literary. In Adult Fiction, Eva represents Romance novels (all subgenres except inspirational) and Science Fiction/Fantasy novels. She also represents all subgenres of Young Adult Fiction. She is interested in submissions from diverse authors. Learn more about Eva here, as well as her specific interests and what is seeking from writers.

Lori Steel is a literary agent with Red Fox Literary. “For all projects, I seek stories with authentic, unforgettable voices that reflect the diverse world we inhabit, instill the possibility of hope and change, and illuminate the shared human experience. More specifically for YA, I would love to find a fresh take on fantasy tropes, contemporary stories that flip conventional scripts, unexpected historical and/or historical fantasy mash-ups that disrupt entrenched notions. I like middle grade contemporary, historical, and fantasy fiction stories that demonstrate deep understanding of readers’ age, voice, and growing awareness of themselves and the world around them is paramount. For Graphic Novels, I’m looking for writer-illustrators crafting accessible contemporary and select nonfiction stories. For Picture Books, I’m eager to find writer-illustrators who craft stories with spare text and rich art, creators who play with structure, utilize collusion to engage participation, and don’t underestimate young readers. Nonfiction stories that surprise and instill a sense of wonder are always welcome. Whimsical, lyrical, and/or humorous stories that young readers will beg to read over and over again always top the list.” Learn more about Lori here.

Reeves Hamilton is a literary agent with Vertical Ink Agency. Reeves Hamilton is a twenty-plus year veteran of the publishing industry. As an agent, he will specialize in science fiction, broadly defined as hard Sci-Fi and space opera, but also as Sci-Fi-adjacent and genre-bending upmarket commercial fiction. He is not seeking adult fantasy or young adult fiction. Learn more about Reeves here.

Jennifer Chen Tran is a literary agent at Folio Literary Management. For nonfiction: narrative or memoir (with a platform) that sheds light on an unseen corner in society or history. Prescriptive non-fiction with practical takeaways, cookbooks with a unique angle or narratives centered on culinary life (see David Chang’s Eat a Peach), lifestyle titles (see Kate Oliver’s The Modern Caravan), humorous or visually-driven projects, and business books that read like memoir. Big idea books that shift how we perceive or navigate the world. For fiction: middle-grade and Young Adult with heart and humor or visually-driven elements (see Remy Lai’s Pie in the Sky), contemporary fiction that braids together issues of social significance and identity (see Angie Kim’s Miracle Creek). Learn more about Jennifer here.

Mary C. Moore is a literary agent with Kimberley Cameron & Associates. She reads widely and enjoys all fiction genres, but especially likes bookclub fiction with light speculative elements, female detective stories, whimsical middle-grade, and young adult that explores identity and culture. Mary does not represent nonfiction (including memoir), picture books, or self-published projects. Learn more about Mary here.

Leticia Gomez is the editorial director for Kensington Books and Dafina. Leticia is the Editorial Director for Dafina Books, an imprint of Kensington Publishing Corp., which focuses on high-quality fiction and nonfiction that centers on race, identity, and its impact on our experiences. Dafina’s carefully curated list is a home for dynamic stories that innovate and amplify voices too long ignored through books that entertain, challenge, and inspire. Launched in 2000 as the first African-American imprint, Dafina has led the market for more than twenty years in highlighting voices of color. Leticia is actively seeking to acquire multicultural fiction and nonfiction of all genres, including literary fiction, commercial fiction, historical fiction, romance, mystery, and narrative nonfiction of all genres with a focus on authors of color (BIPOC) hailing from all walks of life, as well as specific nonfiction projects for marginalized communities. In addition to her role at Kensington, Leticia is a prominent literary/film/television agent who specializes in bringing culturally diverse voices to the forefront. Savvy Literary is now an industry leader specializing in Self-help, Narrative Non-fiction, Memoir, True Crime, Spiritual/Inspirational, Political/Current Affairs, Suspense/Thriller, Family Drama, and the Young Adult market. Championing the work of minority writers continues to be a top priority for the agency. Learn more about Leticia here.

Zabé Ellor is a literary agent with The Jennifer De Chiara Literary Agency. He represents middle grade in various genres and young adult novels in all genres. In adult fiction, his first love is science fiction & fantasy. He is also looking for commercial and upmarket contemporary fiction, especially projects that contain elements of literary mystery and thriller, or voice-driven projects that would make a fun beach read. He is interested in graphic novel projects for all age groups. In nonfiction, he wants proposals for books about science and history that teach and entertain in equal measure. “If you want to dive deeply into an intriguing quirk of our world—and can do so with voice, wit, and an eye for the human—I want to see your proposal! As a former evolutionary biology/Renaissance literature major, my interests are wide, but I’ll always be interested in projects about fossils. Show me your platform and your passion for the subject. Also, Diversity is incredibly important to me. I strongly encourage marginalized authors to self-identify, if they are comfortable, especially if their identity is related to their project.” Learn more about Zabe here.

Laurel Symonds is a literary agent with The Bent Agency. “I represent young adult and middle-grade fiction, and I have a special interest in contemporary, historical fiction, and genre-blending fantasy. I look for engaging voices, commercial hooks, and immersive worlds. My YA tastes are pretty commercial but my middle-grade tastes can skew more literary, and I’m especially interested in middle-grade that might lend itself to illustration. I also represent picture books, graphic novels, and other illustrated work, and I am open to new clients who are both authors and illustrators. My tastes are diverse, ranging from sophisticated to quirky to gently humorous. I especially appreciate a smart use of color and perspective. Additionally, I represent select nonfiction for children and young adults, especially projects about STEM or history with age-appropriate hooks and series potential.” Learn more about Laurel here.

Ariana Philips is a literary agent with Jean V. Naggar Literary Agency. In adult fiction, she is interested in literary and commercial fiction, particularly upmarket women’s fiction, family sagas, stories with unique family dynamics, and historical hooks. She is drawn to gritty stories that have a strong authentic voice, a well-crafted plot, and carefully developed characters. She’s also seeking smart and funny romantic comedies, both for the adult and YA market. In nonfiction, she is interested in a wide range of narrative and prescriptive nonfiction with a strong platform. Specifically, she’s on the hunt for pop culture, popular history and science, lifestyle, travel, humor, illustrated gift books, true crime, sports, social issues, and literary memoirs. She is also interested in cookbooks, food narratives, and culinary histories from around the world. She loves to find new talent and work with her clients to develop strong proposals. In the YA category, she is interested in contemporary books with a strong hook and voice. She wants stories that will make her cry and laugh—sometimes at the same time. Learn more about Ariana here.

Michelle Jackson is a Literary Associate with Olswanger Literary. Michelle is seeking to work with adult fiction authors in the following genres: Commercial, Historical, Humor, New Adult, Romance, Science Fiction, Thriller, Women’s Fiction. Sub-genres: Contemporary Romance, Multicultural, Psychological Thrillers, Romantic Comedy, Romantic Suspense. She is also on the lookout for narrative nonfiction, biographies, self-help/spirituality and memoirs. Learn more about Michelle and her interests here.

Caroline Trussell is a literary agent with Metamorphosis Literary Agency. She is seeking: Romance (especially romantic comedies, enemies to lovers, and fake dating); Fantasy (particularly magical realism and urban fantasy); Young Adult (contemporary romance and mental health driven storylines); Middle Grade (with lots of heart and that discusses tough topics in an age appropriate way); In any genre, stories that feature dynamic characters with non-visible disabilities and/or mental illness. Learn more about Caroline here.

James Mustelier is a literary agent with The Bent Agency. “I’m looking for a range of commercial and literary fiction and nonfiction. In all genres (but particularly in literary fiction) I prize economical prose, complex characters, steadily building tension, narrative gravity, and the momentary relief of dark humor, even (or especially) amid dire circumstances. In commercial fiction I’m looking for compact horror and mysteries with big hooks and intricate plotting. In sci-fi and fantasy I’m drawn to stories that are grounded in reality and have high stakes that touch on contemporary issues — more speculative fiction and alternate histories than high fantasy or space opera. In nonfiction I’m looking for books that give me a vivid look into subcultures and events I might not otherwise have had the chance to explore. In young adult and middle grade I’m interested in epic fantasy, grounded sci-fi, and irreverent retellings of fairy tales, classic myths, and historical events. I’m specifically seeking stories written from diverse perspectives that draw from underrepresented cultures.” Learn more about James here.

Sarah N. Fisk is a literary agent with The Tobias Agency. Sarah loves books that challenge societal norms, especially gender norms. They have a personal interest in stories featuring queer characters or characters with disability, neurodiversity, chronic illness, or mental health challenges. They are interested in Young Adult fiction of all genres as well as Adult Romance. They especially enjoy anything under the speculative fiction umbrella and high-concept contemporary or historical stories with a strong hook. Hardcore horror is probably not right for them. Sarah is on the lookout for young adult and middle grade of all genres, adult romance, and adult science fiction, fantasy, and speculative fiction. No hardcore horror. Learn more about Sarah here.

Pam Gruber is a literary agent with Irene Goodman Literary. Pam is looking for adult, young adult, and middle grade fiction with literary voices and commercial hooks. She is particularly interested in layered fantasy, speculative fiction, fantastical realism, rom-coms, and coming-of-age stories with a twist. She is also open to middle grade and YA graphic novels, as well as select narrative non-fiction on lesser-known subjects. Pam would not be the best fit for prescriptive nonfiction, anthologies, potty humor, paranormal, or erotica. Learn more about Pam here.

Screen Shot 2019-02-24 at 6.06.26 PM.pngRae Loverde is an agent assistant at Donald Maass Literary Agency. At the 2023 WDW online events, she will be acting as a literary scout — taking pitches at the workshop on behalf of one or multiple co-agents at her agency. Her co-agent Cameron McClure is seeking the following: projects that combine genre style plotting with literary quality writing. She’s up for anything speculative, and is interested in seeing science fiction and fantasy, mystery and suspense, horror, and projects with multi-cultural, international, environmental, and LGBTQIA+ themes. Learn more about Rae and her co-agents here.

 

 

        More 2023 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2023 CWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of late 2022, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Chesapeake Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get a phone/Zoom critique meeting with the faculty member. Options:

  • TBD
  • More critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Chesapeake workshop specifically.

REGISTRATION:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on March 3-4. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Chesapeake workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

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Thank you for your interest in the 2023 Chesapeake Writing Workshop.