Get to Know an Agent in Attendance: Jennifer Chen Tran of Folio Literary Management

Jennifer Chen Tran is a literary agent at Folio Literary Management.

With over a decade of experience in publishing, Jennifer is passionate about nurturing and championing authors and their creative lives. She represents a wide range of talent, including journalists, physicians, entrepreneurs, thought-leaders, chefs, and graphic novelists, among others.

Prior to joining Folio, Jennifer was a literary agent at several west-coast literary agencies and served as Of Counsel at The New Press. She obtained her Juris Doctor from Northeastern School of Law in Boston, MA, and a Bachelors of Arts in English Literature from Washington University in St. Louis. She is an attorney in good standing in New York and California.

Recent nonfiction titles Jennifer represented include Stuart Palley’s memoir Into The Inferno; 101-year old physician and mother of holistic medicine Dr. Gladys McGary’s The Well-Lived Life: A Centenarian Doctor’s Six Secrets to Health and Happiness at Any Age; Kate Oliver’s The Modern Caravan; contributing cartoonist for The New Yorker and BuzzFeed, artist Natalya Lobanova’s Everyone is Awful, a debut collection of darkly humorous comics; and clinical professor at Stanford University School of Medicine Dr. Elizabeth Landsverk’s Living in the Moment.

Recent fiction titles Jennifer represented include author Kristen Kiesling’s The Harrowing, a YA graphic novel about a psychic teen girl who is forced to use her powers to track down killers, until she discovers her boyfriend is her next target; Lily Quan’s middle-grade novelization of Disney-Pixar movie Turning Red; and Rebecca Kelley’s contemporary novel No One Knows Us Here.

Jennifer is an editorial agent who believes in the art of collaboration and works closely with her authors from concept, to proposal, to publication, and beyond. As a person of color and daughter of Taiwanese immigrants, Jennifer is committed to amplifying voices from underrepresented and marginalized communities. Her ultimate goal is to work in concert with authors to shape books that will have a lasting positive social impact on the world – books that illuminate, entertain, and inspire.

Genres represented:

  • Non-Fiction
  • Cookbook
  • Memoir
  • Narrative Non-Fiction
  • Neurodivergent
  • Prescriptive Non-Fiction
  • Middle Grade
  • YA
  • Graphic Novels
  • BIPOC
  • LGBTQIA+
  • Bookclub Fiction
  • Commercial Fiction
  • Women’s Fiction

What I’m looking for:

For nonfiction: narrative or memoir (with a platform) that sheds light on an unseen corner in society or history. Prescriptive non-fiction with practical takeaways, cookbooks with a unique angle or narratives centered on culinary life (see David Chang’s Eat a Peach), lifestyle titles (see Kate Oliver’s The Modern Caravan), humorous or visually-driven projects, and business books that read like memoir. Big idea books that shift how we perceive or navigate the world.

For fiction: middle-grade and Young Adult with heart and humor or visually-driven elements (see Remy Lai’s Pie in the Sky), contemporary fiction that braids together issues of social significance and identity (see Angie Kim’s Miracle Creek).

 What I’m NOT looking for:

No: Science-fiction, fantasy; romance; screenplays.

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