Get to Know an Agent in Attendance: Kaylee Zou of Williamson Literary

Kaylee Zou is a literary agent with Williamson Literary.

Kaylee graduated from Johns Hopkins University with a double major in Writing Seminars and English in May of 2020. Since graduating, she has worked as a Technical Writer in the DC area. Recently, she left the corporate world and began pursuing writing her first novel full-time. Currently, she lives in Arlington with her roommate–but best friend first–Kinsey, who is Kaylee’s writing accountability and reads all her drafts of everything.

Kaylee joins Williamson Literary out of her passion for literature and writing while she continues to work on her manuscript. To many’s dismay, one of Kaylee’s favorite activities is spoiling movies and books for herself, and as such Wikipedia is her most visited website. Her favorite genre of content to consume is sad–anything tragic will do. Kaylee loves reality television, taking naps, and promenading around the ton like they do in Bridgerton. Having recently quit coffee, she promptly entered an identity crisis but found herself again in green tea. So it is with a belly full of green tea that Kaylee supports Williamson Literary as Associate Agent. 

What the agency represents:

Nonfiction: history, sports, science, environmental, biographies, travel, culture, adventure, educational, motivational (i.e. work that informs or inspires social change or advocates for women and BIPOC). Give thought to your author platform and develop a strong marketing section for your book proposal.

Adult Fiction:  upmarket, contemporary, literary, and commercial; character-driven women’s fiction, book club fiction, domestic suspense, adventure, international, upbeat, feel-good, dark and dangerous, fiction with fantastical elements or magical realism, poignant social commentaries, humor, satire, new takes on old tropes. Pitch us writing that sings rather than tells, take us on an emotional journey, build vivid scenes for us, craft strong voices and unusual and unforgettable settings (we love stories where place is a character too). Any subject is welcome.

What we do Not represent:

The heavily partisan, inflammatory, or hateful
Children’s picture books, Middle Grade or Young Adult
Genre Romance or Erotica
Horror (as a strict genre, but we like classic horror elements)
Hard Science Fiction and High Fantasy (again as a strict genre, but we love out-of-this-world stories)

Get to Know an Agent in Attendance: Kiele Raymond of Thompson Literary Agency

Kiele Raymond is a senior literary agent with Thompson Literary Agency

She is seeking: bold new voices in literary fiction and narrative nonfiction.

Her list includes critically acclaimed and award winning writers such as Lee Matalone, Tana Wojczuk, Ari Braverman, Peace Adzo Medie, Nichole Perkins, Destiny O. Birdsong, and Candice Wuehle. Kiele received her B.A. in Anthropology and English Literature from Johns Hopkins University and her M.A. in the Humanities from the University of Chicago before launching her publishing career as an editor at Simon & Schuster. Her studies in modernism, sociolinguistics, and affect theory continue to influence her reading tastes and she treats each project with great editorial care. Kiele is open to queries and particularly interested in narratives set in and around the Caribbean, Central and South America, and the American Southwest.

Her list includes Reese’s Book Club pick and NYT Notable Book of 2020 HIS ONLY WIFE by Peace Adzo Medie, THE BALLAD OF BIG FEELING by Ari Braverman, HOME MAKING by Lee Matalone, LADY ROMEO by Tana Wojczuk, and SOMETIMES I TRIP ON HOW HAPPY WE COULD BE by Nichole Perkins, among others.


Get to Know an Agent in Attendance: Jennifer Chen Tran of Folio Literary Management

Jennifer Chen Tran is a literary agent at Folio Literary Management.

With over a decade of experience in publishing, Jennifer is passionate about nurturing and championing authors and their creative lives. She represents a wide range of talent, including journalists, physicians, entrepreneurs, thought-leaders, chefs, and graphic novelists, among others.

Prior to joining Folio, Jennifer was a literary agent at several west-coast literary agencies and served as Of Counsel at The New Press. She obtained her Juris Doctor from Northeastern School of Law in Boston, MA, and a Bachelors of Arts in English Literature from Washington University in St. Louis. She is an attorney in good standing in New York and California.

Recent nonfiction titles Jennifer represented include Stuart Palley’s memoir Into The Inferno; 101-year old physician and mother of holistic medicine Dr. Gladys McGary’s The Well-Lived Life: A Centenarian Doctor’s Six Secrets to Health and Happiness at Any Age; Kate Oliver’s The Modern Caravan; contributing cartoonist for The New Yorker and BuzzFeed, artist Natalya Lobanova’s Everyone is Awful, a debut collection of darkly humorous comics; and clinical professor at Stanford University School of Medicine Dr. Elizabeth Landsverk’s Living in the Moment.

Recent fiction titles Jennifer represented include author Kristen Kiesling’s The Harrowing, a YA graphic novel about a psychic teen girl who is forced to use her powers to track down killers, until she discovers her boyfriend is her next target; Lily Quan’s middle-grade novelization of Disney-Pixar movie Turning Red; and Rebecca Kelley’s contemporary novel No One Knows Us Here.

Jennifer is an editorial agent who believes in the art of collaboration and works closely with her authors from concept, to proposal, to publication, and beyond. As a person of color and daughter of Taiwanese immigrants, Jennifer is committed to amplifying voices from underrepresented and marginalized communities. Her ultimate goal is to work in concert with authors to shape books that will have a lasting positive social impact on the world – books that illuminate, entertain, and inspire.

Genres represented:

  • Non-Fiction
  • Cookbook
  • Memoir
  • Narrative Non-Fiction
  • Neurodivergent
  • Prescriptive Non-Fiction
  • Middle Grade
  • YA
  • Graphic Novels
  • Bookclub Fiction
  • Commercial Fiction
  • Women’s Fiction

What I’m looking for:

For nonfiction: narrative or memoir (with a platform) that sheds light on an unseen corner in society or history. Prescriptive non-fiction with practical takeaways, cookbooks with a unique angle or narratives centered on culinary life (see David Chang’s Eat a Peach), lifestyle titles (see Kate Oliver’s The Modern Caravan), humorous or visually-driven projects, and business books that read like memoir. Big idea books that shift how we perceive or navigate the world.

For fiction: middle-grade and Young Adult with heart and humor or visually-driven elements (see Remy Lai’s Pie in the Sky), contemporary fiction that braids together issues of social significance and identity (see Angie Kim’s Miracle Creek).

 What I’m NOT looking for:

No: Science-fiction, fantasy; romance; screenplays.